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12 Etudes D Interp Vol 1 PS 12 Etudes D Interp Vol 1 PS

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Publisher: Presser
Composer: OHana
Artist:
Arranger:
Voicing: PS
Level:
Pages:


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1812 Overture PS 1812 Overture PS

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An enduring 4th of July favorite, the theme from the Tchaikovsky's 1812 Overture has been skillfully arranged for the intermediate-level student. Add fireworks to your lessons with this rousing arrangement your students will enjoy playing again and again.

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Publisher: FJH
Composer: Tchaikovsky
Artist:
Arranger: McLean
Voicing: PS
Level:
Pages:





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1812 Overture PS 1812 Overture PS

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  • 1812 Overture


    Publisher: Leonard
    Composer: Tchiakovsky
    Artist:
    Arranger:
    Voicing: PS
    Level:
    Pages: 24





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    18th Variation Rhapsody On A Theme 18th Variation Rhapsody On A Theme

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    Score

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    Publisher: Leonard
    Composer: Rachmaninoff
    Artist:
    Arranger:
    Voicing: PS
    Level:
    Pages: 4





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    2 Preludes Op 28 No 7 In A And No 29 In C Minor PS 2 Preludes Op 28 No 7 In A And No 29 In C Minor PS

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    Score

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    Publisher: Leonard
    Composer: Chopin
    Artist:
    Arranger: Deis
    Voicing: PS
    Level:
    Pages: 4





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    2 Waltzes PS 2 Waltzes PS

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    Score

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    Publisher: Leonard
    Composer: Strauss
    Artist:
    Arranger: Dohnanyi
    Voicing: PS
    Level:
    Pages: 31





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    3 Preludes PS 3 Preludes PS

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    Score

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    Publisher: Leonard
    Composer: Kennan
    Artist:
    Arranger:
    Voicing: PS
    Level:
    Pages: 12





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    3 Romances Sans Paroles Op 17 PS 3 Romances Sans Paroles Op 17 PS

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    Following the release in 2003 of the Urtext Peters Edition publication of Fauré's Pièces brèves (EP 7601), the eminent French music specialist Roy Howat has taken an in-depth look at another lesser-known collection of piano pieces by Gabriel Fauré – Romances sans paroles – to reveal further treasures. Romances sans paroles is French for 'Lieder ohne Worte' or 'Songs without words'. Fauré's only three pieces in the genre, suggesting a youthful homage to Mendelssohn, were his first piano pieces to be published. Exactly when he composed them is uncertain, though most of his biographers suggest it could have been any time from 1863 onwards (the year he turned eighteen). In fact the Romances sans paroles are not easy, given the pianist's dual occupation with complex accompaniments and melodies that sometimes echo imitatively across voices. (Fauré was ambidextrous, and the pieces might be viewed in several ways as études.) It was thus not surprising that they soon became as popular, if not more so, in arrangements by Jules Delsart for violin or cello accompanied by piano, published by Hamelle in 1896. Whether on Delsart's or Hamelle's initiative, these transcriptions bowdlerise many of Fauré's more daring passing harmonies, especially in the second Romance, the music's full adventurousness, manifest in the piano version, has therefore been long masked from many listeners and performers. (Roy Howat)

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    Publisher: Peters
    Composer: Faure
    Artist:
    Arranger:
    Voicing: PS
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    60 Second Ballet PS 60 Second Ballet PS

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    Pianist Guy Livingston commissioned 60 composers to each write a piece that would last 60 seconds. Bolcom's entry is whimsical, and a perfect piece for an encore.

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    Publisher: Leonard
    Composer: Bolcom
    Artist:
    Arranger:
    Voicing: PS
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    90+ For Piano PS 90+ For Piano PS

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    Score

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    Publisher: Leonard
    Composer: Carter
    Artist:
    Arranger:
    Voicing: PS
    Level:
    Pages: 10





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    A La Pizzicato PS A La Pizzicato PS

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    Publisher: Leonard
    Composer: Shchedrin
    Artist:
    Arranger:
    Voicing: PS
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    Abandoned Lighthouse PS Abandoned Lighthouse PS

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    Publisher: Boston
    Composer: Holmes
    Artist:
    Arranger:
    Voicing: PS
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    Abegg Variations Op 1 PS Abegg Variations Op 1 PS

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    Who was “Pauline, Countess of Abegg," the dedicatee of the first edition? Nowadays it is known that the matter revolves around a romantic mystification of the name of Meta Abegg, a friend from Schumann's youth, whose surname inspired Schumann to a theme on A-B-E-G-G (a-hb-e-g-g). The “rewarding and sparkling piece" – as it was described by a critic of the time – makes high technical demands, but is distinguished by a youthful freshness and ingenious virtuosity. With this work (the first, incidentally, that Schumann deemed worthy of publication), Henle has issued a good third of Schumann's piano works in revised versions that take account of the current state of research. The thoroughly-revised musical text is complemented by an informative preface and detailed commentary. Further revised volumes are in progress.

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    Publisher: Henle
    Composer: Schumann
    Artist:
    Arranger:
    Voicing: PS
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    Abigails Dance PS Abigails Dance PS

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    Publisher: Willis
    Composer: Miller
    Artist:
    Arranger:
    Voicing: PS
    Level: EI
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    Above The Clouds PS Above The Clouds PS

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    A beautiful, lyrical piece. Key: D Major.

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    Publisher: Willis
    Composer: Hartsell
    Artist:
    Arranger:
    Voicing: PS
    Level:
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    Above The Stars PS Above The Stars PS

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    Written in 6/8 time and in the key of G minor, this late intermediate solo accurately depicts the mood of being suspended "Above the Stars." Its tender and floating effect is created through special melodic and harmonic qualities. This piece offers the intermediate level student several sixteenth-note passages that create the overall dreamy mood.

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    Publisher: FJH
    Composer: Leaf
    Artist:
    Arranger:
    Voicing: PS
    Level:
    Pages:





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    Accidental Wizard PS Accidental Wizard PS

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    Apprentice wizards will definitely enjoy this awesome piece by HLSPL master-wizard, Phillip Keveren! This sprightly tune plays with sharps, flats and natural symbols throughout, conjuring them up with an air of surprise. Students must be accidental wizards of the first order to perform the piece with flair and a sense of mystery. The teacher accompaniment provides a rich and colorful duet. Level 2 piano solo with teacher accompaniment. 4/4. Lively tempo. Staccato notes, accents and accidentals. Wide dynamic range. Some easier hand position shifts.

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    Publisher: Leonard
    Composer: Keveren
    Artist:
    Arranger:
    Voicing: PS
    Level:
    Pages: 4





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    Acrobat PS Acrobat PS

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    The Acrobat is an energetic piece that tumbles excitedly all over the keyboard. Great practice for drop-rolls (two-note slurs) and legato phrasing. In C Major.

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    Publisher: Leonard
    Composer: Miller
    Artist:
    Arranger:
    Voicing: PS
    Level: ME
    Pages: 4





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    Across The Desert PS Across The Desert PS

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    ABPL Level 2 (Elementary). The camel caravan makes its way through this G Position musical expedition, with staccato and legato contrasts, and the minor scale flavor of the Middle East.

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    Publisher: Alfred
    Composer: Olson L F
    Artist:
    Arranger:
    Voicing: PS
    Level:
    Pages: 4


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    Across The Northern Sky PS Across The Northern Sky PS

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    Table of Contents:


    Publisher: Alfred
    Composer: Garcia
    Artist:
    Arranger:
    Voicing: PS
    Level:
    Pages: 4





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